Showing posts with label Reviews. Show all posts
Showing posts with label Reviews. Show all posts

Sunday, April 8, 2012

Review of The Lucifer Effect: Understanding How Good People Turn Evil

The Lucifer Effect: Understanding How Good People Turn Evil

by Phillip Zimbardo, copyright Random House 2007

Each month, Reckoning with Wanderlust, presents a review of a book or film that relates to topics discussed here, such as international affairs, conflict, disaster, humanitarian work, vulnerable groups, or anything else tangentially connected. Please send suggestions for books or films to review to deargypsyrose@gmail.com


In The Lucifer Effect, Phillip Zimbardo explores the question of why seemingly ‘good’ or ‘normal’ people do ‘evil’ things, how environmental factors contribute to that behavior. To use Zimbardo’s metaphor, when we speak of a ‘bad apple’ (one person doing bad things among many people doing good things can make all the apples bad), is it that one apple was in fact bad, or was the barrel itself (the environment) at least partially responsible?

First, Zimbardo presents The Stanford Prison Experiment in great detail, from his conception of it, as the Principal Investigator, to its implementation. Allow me to briefly summarize: the Stanford Prison Experiment was carried out at Stanford University, in California, in the 1970s. Zimbardo recruited students over the summer to participate in an experiment, although they were not told many details about it.  These participants were randomly assigned as either guards or prisoners, slated to play out these roles in a fabricated prison on Stanford’s campus. Members of each group soon come to display characteristics that one might describe as typical of prisoners or guards, obedience or cruelty respectively. As Zimbardo relays the exercise in great detail, the audience sees changes in the students, as some of the prisoners are forced to withdraw from the experiment due to physical and situational stress, while some of the guards thrive on the power. Zimbardo eventually terminates the experiment ahead of the planned end date after a colleague sees the guards marching prisoners down a school hallway (during summer vacation) with paper bags on their heads, chained together. It was only this outside observer who was able to see the outrageous nature of the scene, as Zimbardo himself had been engulfed by the circumstances.

Zimbardo follows this with a discussion of the ways in which situational forces influence our behavior, and how we are prone to make fundamental attribution errors, where we believe a person’s innate or learned characteristics are responsible for their behavior, when in fact, situational forces play at least as much of a role. Lastly, Zimbardo relates the Stanford Prison Experiment, and evidence supporting the power of situational forces, to examine the abuses that occurred at Abu Ghraib prison in Iraq.

When reading books of this nature, we often begin with a question, something we see but do not understand, hoping that knowledge can help us make sense of it. For me the question was related to children associated with fighting forces. I understand that when kidnapped, people and children especially eventually identify with their captors in order to survive and to mentally negotiate what they believe is their complicity in the situation. But it is one thing to identify or sympathize with a captor, it is another to do so to the extent that you are willing to kill and torture members of your clan, community, or even your family, as has occurred in cases of children associated with fighting forces during conflict.

One point that struck me as particularly applicable to this case was Zimbardo’s explanation of the role of anonymity and deindividuation supporting people’s slip into the grasp of situational forces. This involves the use of uniforms, costumes, “all disguises of one’s usual appearance that promote anonymity and reduce personal accountability.” (267) If we think of involvement in group conflict and violence, if at all organized, it rarely happens when one of the above conditions is not met. Everyone from militaries of government’s, to non-state fighting forces use uniforms, not only to demand obedience from those wearing them, but also to justify their tactics as part of “the system” as well as to get their subordinates to think of themselves firstly as part of the fighting force and secondly as individuals. Zimabardo continues “When people feel anonymous in a situation... they can more easily be induced behave in antisocial ways. This is especially so if the setting grants permission to enact one’s impulses or to follow order or implied guidelines that one would usually disdain.” Using disguises or uniforms obscure’s one’s sense of personal moral identity, and with its disappearance, it becomes easier to simply act on impulse or follow a crowd without questioning, since slipping into some guide has tucked away the individual’s sense of responsibility. This is true both for people in roles of authority, as well as those whose uniforms place them in a subordinate position; it makes them more inclined to obey order and conform with their peers, whether the result is, for example, better behavior from students in uniforms, or similarly dressed youth committing acts that were previously anathema to each of them individually, but are acceptable in the group setting.

Zimbardo contrasts the common thought that people are solely responsible for their individual actions, with his findings from involvement in the Stanford Prison Experiment and the trials of one soldier implicated in abuses at Abu Ghraib, “Traditional analyses by most people, including those in legal, religious, and medical institutions, focus on the actor as the sole causal agent. Consequently, they minimize or disregard the impact of situational variable and systemic determinants that shape behavioral outcomes and transform actors.” This is not to take away to power people have to make their own decisions, nor to take away to necessity of emphasizing individual responsibility to maintain social and moral standards in society at large. However, if we pay more attention to the circumstances, we may see that, in some cases, addressing negative situational influences can achieve more progress, than addressing or condemning the actions of an individual.

Let’s think, for example, or what are called briefcase NGOs here, those organizations that are, in fact, wholly contained in the briefcase of the member before you, as the ‘organization’ itself is nothing more than a front for collecting money, which will then be eaten (to use a local expression). Imagine this happened, we are free to point at the person who stole money and broke trust, calling him a thief, but let us also examine the situational forces at play. He sees people in power, from policemen to politicians accepting bribes or otherwise disguised payment with no negative consequences, informing his development of morality. Imagine he is unemployed, with radio or television or newspapers telling him that he is poor because others are rich. So this man believes that taking money from those who can afford to give, those who would donate to his briefcase NGO, is simply accessing what is due to him. He dons the attire of the NGO set, with an organization’s t-shirt, brochure in hand, and he becomes someone else. Imagine that he is part of a group of people doing this, such that he becomes part of a group. None of this undermines his personal responsibility in this case, he has still stolen from donors and can and should still be punished. But unless the situational influences at play are identified, by prosecuting this man we are merely slapping at a mosquito, instead of identifying their breeding source and working to eliminate it.

Zimbardo’s book is thought provoking and an interesting read for its content. However, just to warn you, the writing style leaves something to be desired, as Zimbardo practically stumbles over himself between mentioning Stanford’s accolades repeatedly, and self-praising for his own roles in parts of the book. This does not overwhelm the intriguing content of the book, but a good editor could have ensured that the style and prose rose to the quality demanded by the topic.

For more detailed information about the experiment, visit www.prisonexp.org

Monday, January 9, 2012

Review: In the Land of Blood and Honey

The Global Fund for Women invited members of its mailing list to attend a screening of In the Land of Blood and Honey at the Metreon. At first I was a bit reluctant, despite Angelina Jolie's work with refugees I'm not her biggest fan and this is the first movie that she has written and directed. But, unable to turn down a bargain (the New Englander in me) and trying to meet my goal of seeing several movies a month in the theatre, I RSVP'd for two. A fellow public healther who also made her way to the left coast said she would come with me. I've been to screening put on by NGOs before, usually there's 20 or 30 people, if you're lucky. When I arrive at about 5:45 with the movie starting at 6:30, there were at least 100 people in the VIP line (those of us with reserved tickets) and several hundred people waiting in line to try to secure unreserved seats. I was astonished. Did this many people want to see a film about genocide on a Thursday night? Did they like free movies? Or was it Angelina Jolie's star power and willingness to rent out an entire AMC screen? Either way the room was packed, with two entire rows filled with press. Little did I know we were attending the West coast premiere of the film!

I can't tell you to go see this film. It's not that it wasn't good, but it portrays war and its accompanying atrocities in such a vivid way that I would recommend you think long and hard before you go see it. Neither my friend nor I got much sleep the night after seeing it, and she jokingly emailed me that she has a little PTSD with loud noises after the fact. But also note that I am particularly affected by films, I don't sit back and assess what is unrealistic about them, but rather believe it all and let myself by drawn in. So with that said, here's what I thought without many spoilers just in case some of you do choose to see the film after it's February 12 general release date.

In an effort to keep this short and sweet, here are three initial thoughts after seeing the film:
1. The setting and elements of the film outside of the main story are incredibly well done. The entire film is in Serbian and Bosnian with sub-titles. The film was shot on location. All the actors are of the ethnic backgrounds they represent. Additionally, scenes meant to convey what it feels like to live inside of a war zone do just that (from what I've heard and read). The constant, the arbitrary nature of punishment, and feeling of powerlessness. If you have ever wondered what it would be like to live in the middle of a war where a slew of war crimes are taking place, I think this film will give you an idea.

2. I'm glad this film wasn't set in Africa. Now hear me out. Angelina could just as well have chosen to document a different war where genocide occurred and rape was used as a weapon, this war was not unique in that. However, I think that the portrayal of Europeans committing such acts against one another, solely because of politics and religious differences makes the horrific nature of the crimes more difficult for some people to dismiss. I have heard many people say things about genocide or rape or war 'over in Africa'. There is a view that 'those things happen there'. But those things happen in many places, and I think that having perpetrators of crimes against humanity who look like me or many of you has a different impact. This doesn't lessen the importance or inhumanity of such acts in Africa, but I think that once people see how horrific such a conflict is in a culture to which they can relate, perhaps they are more likely to realize it is equally horrific among people with whom they have more difficulty identifying.

3. The main plot. I am a bit conflicted about how I feel about the main plot of the movie, essentially Danjiel, a Serb, and Ajla, a Muslim, go on a date before the war and hit it off. Then the war begins, but they end up meeting again. The main conflict in much of the movie is how they choose to and are forced to interact given that they are technically enemies, but in fact have romantic feelings for one another. I think the plot itself is a stretch, but I also feel like it provides a glimpse of humanity in the midst of atrocity. There is rarely purely good and purely evil during conflict, and many people are 'assigned' to a side which they may not wholly support. The plot is absolutely a stretch at times, I could imagine a skeptic watching it and finding it unbelievable. But finding a love story in the midst of tragedy is also difficult, and just watching one war crime after another would quickly go from engaging to nauseating without breaks where the humanity of people is shown. There is an adage in the humanitarian community that it is easier to make someone care about one child in danger than a country full of children in danger. So it goes with this film, seeing one person struggle with choices, engage in and be tortured, change due to the things they do and witness is easier to understand than watching populations go through the very same circumstances. While it may not be entirely believable, I think Angelina succeeded in making perpetrators and victims of war crimes personable, which is a quite a feat.

As a final note, I know far less about this conflict than others that were taking place around the same time, Rwanda for instance. I cannot attest to the accuracy of the portrayal of the actions of the various factions. However, I can say that the perspective was not entirely unbalanced and I think learning about a war, where ethnic cleansing was occurring, in which the US avoided intervening for years because they said 'we don't have a dog in that fight', is useful, whether through this film or other means.

Sunday, January 8, 2012

Happy New Year and Wanderlusting 2012

Happy New Year everyone! Most people who know me know I love making resolutions at the beginning of the new year. One of my resolutions last year was to post more than I did in 2010. Mission accomplished, I posted 23 times in 2011 vs 20 in 2010. I also had more views of the blog, with people from all over the world taking a look (thanks google analytics) with 132 page views in December alone. What this tells me is that my loyal readers (hi friends and family!) are still reading, but that Reckoning with Wanderlust is also getting viewed by people who don't know me (!) and are reading the blog for the material. So blog related resolution for 2012? Let's grow the blog and make it a little more consistent. This means that I'll still be letting you know where I am and where I'm going, but I'm also going to try to keep posting when I'm home.

Also, based on a 2011 resolution to read at least one book a month (I read 39!) I'm going to start doing book or movie reviews at least once a month. This way, should any readers be interested in finding about more about topics somewhat related to what I do, they'll know where to look. As always, for my readers who receive this blog as an email, this is the time of year where I offer you the opportunity to get off that list, especially because there will hopefully be more blog posts this year, which means more emails to you.

Lastly, thanks to everyone who reads, I can't believe I'll have been blogging for 4 years in May! Your support and comments are invaluable. And of course, as I know you're all amazing and talented, anyone who would like to do a guest post about something related to this blog should email reckoning.wanderlust@gmail.com with your ideas.